Repertory and vacancies

For the audition each candidate should prepare:

Group A  - 3 opera and/or operetta arias

Group B - 4 opera and/or operetta arias

The candidate should write in the application form on first place the aria he/she wants to start with.

 

Repertory needs submitted by the music institutions so far:

MAIN ROLES in: 

  • Aida
  • Nabucco
  • Falstaff
  • Attila
  • L'elisir d'amore
  • Il Trovatore
  • Der Freischütz
  • Turandot
  • Don Carlo
  • La Traviata
  • Rigoletto
  • Don Pasquale
  • Il barbiere di Seviglia
  • Don Giovanni
  • Madama Butterfly
  • Die Zauberflote
  • NEW Samson and Dallila - all roles
  • NEW La boheme - all roles

 

  • Entführung aus dem Serail - CONSTANZA
  • Carmen - MICAELA/DON JOSE/ ESCAMILLO
  • Johann Strauss: „Die Fledermaus“, ROSALINDE „Czárdás“
  • Johann Strauss: „Der Zigeunerbaron“, SAFFI „So elend und so treu…“
  • Emmerich Kálmán: „Gräfin MARIZA“, TASSILO „ Wenn es Abend wird…“
  • Franz Lehár: „Giuditta“, OCTAVIO „Freunde, das Leben ist lebenswert…“
  • Wagner: Walküre „Schwertmonolog des Siegmund“
  • Wagner: Siegfried: „Notung, Notung, neidisches Schwert“

 VACANCIES FOR: 


NEW Dramatic Tenor (Italian repertory)
NEW Bass (Italian repertory)
NEW Bass-Bariton (Figaro)
NEW Lyrico-spinto Soprano

  • MEZZOSOPRANO (for Mozart and Belcanto)
  • BARITON (lyric)
  • COLORATURA SOPRANO
  • BASS
  • TENOR 
  • TENOR (lyric) - ROMEO, RODOLFO, ISMAEL, ALFREDO
  • TENOR (spinto) - CAVARADOSSI, PINKERTON, RADAMESS
  • BASS - RAMFIS, ZACCARIA, COLINE
  • TENOR - CALAF, FLORESTAN,SAMSON
  • SOPRANO- TURANDOT

 


The listed repertory is not obligatory. Each candidate may audition with repertory on their own choice.